Telepathy

During a time when rapid advancements began to seemingly blur the lines between technology and humanity, New Wave authors often imagined what the consequences would be if certain individuals or species were able to communicate telepathically, or from one mind to another by extrasensory means.

From Gerald Howson, the disabled protagonist of John Brunner's The Whole Man (1964), to the "bratty" Qumax, the rather absurd, telepathic worm that stars in Robert Margroff and Piers Anthony's 1970 The E.S.P. Worm (1970),  the vibrant characters that populate the following texts experience enhanced abilities that run the gamut from completely uprooting their place in society, to inspiring a zany, intergalactic bounty hunt. 

These differing depictions of telepathy, as well as the effects of such disparate abilities, continue to surprise, entertain, and lead us to consider the power dynamics, rapid advancements, and potential inequalities of our own times.